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No Spoken Word
Written by Stevie Nicks.
Stevie is referring to her age here – on this "August dark, dark day," (August meaning dark, imposing) she may have broken up with someone. The breakup caused Stevie to feel old – not necessarily age-wise, but experience-wise. She probably said or did something that may have been a little out of character for her. She wants whoever she broke up with to forget about that day, to forget about what happened.
No spoken word
Here Stevie switches from first person to third person. She’s looking at herself the way she thinks others might see her, and she knows people think she has everything. No words are necessary to make her demand clear – she’s unhappy and she wants something more than what she already has.
Again Stevie talks in the first person. Should she tell this person exactly how she feels? Using words to reveal her true feelings might not do any good for the relationship, or maybe she can’t even find the right words to say what she wants to say. She probably wants to tell him everything, but she doesn’t know which words will convince him that she wants to be with him.
Stevie’s getting desperate here.... She wants this love so bad that she’s ready to make a compromise – maybe she’s even willing to give up the "everything" that people say she has just to have this love?
This is a stormy relationship, but Stevie still wants it, even if it is for only one night. She also wants the emotions (wind, rain and water) that go along with it.
Stevie’s begging again. She wants him for just one night. But he warns her that maybe this breakup will make her wiser. However, Stevie doesn’t (or can’t) learn from what she reads and what other people tell her. She has to learn things the hard way.
She knows that sometimes she gets too personal in her songs, but she doesn’t always say the right things to the right people. Likewise, she’s probably unable to get through to the man she loves – she simply isn’t saying enough to convince him to be with her. She leads a difficult life, but she feels that she still hasn’t become tough enough to handle everything she’s had to face. Stevie has said that it was difficult for her to put up that wall of self-protection that so many of us have – in other words, she’s too open and vulnerable. As a result she cannot always deal with the pressures of her unusual life.
At this point it doesn’t matter if he considers her behavior to be indecent. She wants this stormy presence and it doesn’t matter if she has to appeal to his baser side. She wants this man and she’ll do what it takes to get him.
Stevie doesn’t want to be reasoned with. She’s in love and she refuses to "take it easy." People may think this is no big deal but to her, this is a big deal. And if he even attempts to calm her down, she’s leaving for good (or so she says).
The "darkened street" Stevie is referring to could be either life or love (or both). Some people go through life with the feeling that they will be protected, that everything will be okay. But even the distrusting people have to take this same road. Maybe she is the one with the "faith of a child" and he is one of the "faithless." Either way, they have to take this same road, so why not take it together?
With words unspoken, Stevie is asking him to stay and try again. She knows that people think she should be content with all of the things she does have. But she doesn’t want to hear about it, either. She’s going for the one thing she REALLY wants -- and she doesn’t care what anybody thinks!
Transcribed to HTML by Marty Adelson.
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